“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

As an AIDS activist and member of ACT UP in the 1980s and 90s, Sam witnessed the deaths of too many friends and lovers. Battlewounded and struggling with survivor's guilt, Sam now resents the complacency of his former comrades and derides what he sees as the younger generation's indifference to the politics of sex, and of death. An unexpected intimacy with a much younger man challenges Sam's understanding of contemporary gay life. Through this unconventional romance, he is forced to deal with the trauma that so informs his past, their present, and an unknown future.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
If you want to feel the rush, you have to take the risk.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.