It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.