Ach, diese Lücke, diese entsetzliche Lücke
Twenty-year-old Joachim is unexpectedly accepted at drama school in Munich and moves into his grandparents' upper-class villa. From then on, he tries to find his identity as a young man between the world of theater and the everyday life of his eccentric grandparents.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Twenty-year-old Joachim is unexpectedly accepted at drama school in Munich and moves into his grandparents' upper-class villa. From then on, he tries to find his identity as a young man between the world of theater and the everyday life of his eccentric grandparents.
Rating:
Genre:Comedy, Drama
Written By:Simon Verhoeven, Lars Hubrich
In Theaters:
Box Office:$13,090,622
Runtime:137 minutes
Studio:Komplizen Film, Hellinger / Doll Filmproduktion, Warner Bros. Film Productions Germany
Cast
Simon Verhoeven
Director
Bruno Alexander
Joachim Meyerhoff
Senta Berger
Inge Brinkmann
Michael Wittenborn
Hermann Krings
Laura Tonke
Mother Iris
Devid Striesow
Father Richard
Katharina Stark
Sabrina
Anne Ratte-Polle
Teacher Gretchen
Moritz von Treuenfels
Wolf
Friedrich von Thun
Film Director
Victoria Trauttmansdorff
Teacher
Karoline Herfurth
Teacher Gisela
Articles You May Like
'Under Wraps 2': The 2022 Spooky Sequel
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
'Better Nate Than Ever' takes to Broadway
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
‘Lyle’, Cool Concept, Poor Execution.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Outer Banks Ignores Its Racial Context
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.