Project Hail Mary Didn’t Take Off
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

Antonio (Enrico Salimbeni) may not have been the most energetic waiter in the most popular restaurant in this unfashionable Adriatic tourist town, but that is no reason for his boss not to pay him. When he takes the wages that he is owed out of the till, not only does the owner throw him out, but he has him beaten up, to boot. Enzo (Mario Adorf), the owner of a restaurant so far off the beaten track it is widely known as Abissinia rather than being called by its true name, takes him in. The leisurely pace of everything that is done at the restaurant leaves Antonio with plenty of time to put together the story of its owner and the love of his life, and how he, too, fell from culinary glory to his present obscurity.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.