“Hunter”: When Enthusiasm and AI Aren’t Enough for a Coherent Story
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.

Priest Kadam Baba finds Venu, an orphan girl at the footsteps of the Aai Tulza Bhavani temple. He raises her up and she considers him as her real father. But unfortunately she is the daughter of a rape victim Kashi. Inamdar, who is the chairman of a sugar factory, wishes to get his handicap daughter, Mugdha married to Madhav, a lab in-charge in his factory. But Madhav falls for Venu and eventually they both get married. This angers Inamdar, he hatches a plan to get Madhav thrown out of his factory. More to their worst Madhav's mother is unhappy with their marriage as Venu didn't get dowry along with her. This results in conflict between her and Venu. Madhav's mother buries the holy idol of Aai Tulza Bhavani. Helpless Venu fights with the situation.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
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