Elliott Gould narrates this affectionate look at life in the shtetls of Eastern Europe in the 19th and early 20th centuries. "It's unreal that all this could have just disappeared," says Polish native Mariem Adler Stok, one of the seniors whose memories of this "Yiddish world" give this documentary its life. The hour traces Jewish history in Europe and explores Jews' focus on education, their religious customs, clothing, food, music and theater.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
David Fincher is back in his playpen, with a dark and chilling thriller.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Bad Apples is a masterful pitch-black satirical thriller.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
