A Yank in Korea (1951)

Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.

“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision. 

An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.

'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.

This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.