After years of abusing his wife, a ne'er-do-well husband disappears with their son--and winds up selling him to a wealthy family. Years later, the wife, now a world-famous opera singer, finally has enough time and money to begin a search for him. Spanish language version of the 1930 film "Sarah and Son".
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
A family comedy that combines fantasy and normal school life.
