“Bury Your Gays” Trope in TV and How “Wynonna Earp” Defies it
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.

Christianne Tisdale (Broadway's +Beauty and the Beast) headlines this stage musical adaptation of the Cinderella story, produced by the New York State Theatre Institute in 1996. It recounts the familiar tale of a minor and inconsequential scrubgirl who longs to meet the prince of her dreams but is constantly thwarted by her vile and manipulative stepsisters and stepmother - until her colorful Godmama (Lorraine Serabian) shows up. George David Weiss and Will Severin composed the music to lyrics by Weiss, W.A. Frankonis wrote the book, and Adrienne Spagnola Posner choreographed.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.