Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

1888: a luthier, Vedder, has to step aside when his home, opposite the recently completed Central Station in Amsterdam, must yield for the planned Victoria Hotel. His cousin Anijs, pharmacist in the Northern provinces of the Netherlands, has gotten into a fix after illegal medical practices, and is looking for a way out. For himself and his wife Martha, but also for a colony of poor peat cutters whom he promises a future in the United States. Committed - or is it pride? - the two of them think up a scheme from which they all will fully benefit. With tragic consequences.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
"Peter Pan & Wendy" is a diverse fantasy brought to life and an adventure for all ages.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.