
You could be forgiven for mistaking Charlie Siem for James Bond. Whether he's driving an orange Porsche to his cliff-top Monaco mansion, ordering martinis or looking suave in a designer suit, he is a man on a mission. It isn't to hunt down SPECTRE, but to find perfection in everything he does. Whether it's performing on stage, recording albums, or selecting a suit, Charlie demands the best, of himself and others. Despite an entourage dubbed ‘Charlie's Angels', he's lonesome, and complains that people can't relate to him. Danish filmmaker Eva Mulvad, with patience and panache, delves into this life of privilege to find commonalities of ambition and desire.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
The movie behind the space toy from the 'Toy Story' film series is finally here.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.