"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

A love story of four seasons. “Spring, the first time they met”; The moment Dongjun saw Hyeji, flowers bloomed like it was springtime. He seized the moment and confessed his feelings for her. But Hyeji turns him down, saying they'll meet again if they are meant to be. And just like a miracle, Dongjun runs into Hyeji again. Dongjun’s heart starts beating, and their love blossoms. Their story is follows four more seasons; “Hot, fierce summer”, “Fall, falling out of love”, “Cold, miserable winter” and finally, “Again, Spring”.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.