One of the most moving stories in the annals of sports is presented in this true drama documenting the love affair of baseball immortal Lou Gehrig and his wife Eleanor. Their romance spans the time period from his days of glory with Babe Ruth and the New York Yankees to his unsuccessful battle with an incurable disease. As the story begins, the talented but shy Gehrig is already a popular Yankee slugger when he meets the outgoing Eleanor. Their romance begins hesitantly, but blossoms as they exchange letters while Gehrig is on the road with the team. However, Gehrig's possessive mother becomes a formidable obstacle, first to their marriage and later to their happiness. But their love for one another proves triumphant. In the midst of their happiness, when Gehrig is at the peak of his career, he learns that he is suffering from amyotrophic lateral sclerosis. The courage and dignity exhibited by the Gehrigs during this crisis make this a powerful, memorable film.
Fielder Cook
Director
Blythe Danner
Eleanor Gehrig
Edward Herrmann
Lou Gehrig
Gerald S. O'Loughlin
Joe McCarthy
Ramon Bieri
Babe Ruth
Jane Wyatt
Eleanor's Mother
Patricia Neal
Mrs. Gehrig
Georgia Engel
Claire Ruth
Michael Lerner
Dr. Canlan
David Ogden Stiers
Dr. Charles Mayo
Gail Strickland
Dorothy
Valerie Curtin
Kitty McHie
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.