Fielder's "You Can See Everything" Asks Questions it Doesn't Have Answers For
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.

Mado wakes up in the morning finding all the people disappeared. Hearing a strong typhoon might strike, everyone has escaped the disaster. She checks her school, but no one is there. She meets her classmate, Fujii, unexpectedly. Fujii asks Mado to find a shelter together. He doesn't want to leave her alone. Both start looking around to see if anyone's left behind: An empty theatre, a movie is still running on the screen. A young girl stands by a desolated pool. A strip show theater with a retired stripper. An old man brushes his shoe in a bowling center continuously. Both guys search everywhere. And finally in the heavy rain, they find shelter in a factory. This is a factory where Mado's father had died in.
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
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