Why Wish and similar Disney films don't work
Disney movies have taken a bit of a downward turn recently. How come?

South Tyrol, 1961: Paul was hoping to escape the confines of his village and study painting. But because his older brother Anton is a wanted terrorist, he’s forced to stay at the farm and help Anton’s wife, Anna, and their son. As Paul is drawn into a vortex of violence and toxic masculinity, Anna struggles with the radicalization of her husband and the patriarchal structures in place at the time.
Disney movies have taken a bit of a downward turn recently. How come?
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".