Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
A Kiss at Midnight poster

A Kiss at Midnight (2008)

They say the cobbler's children go barefoot, but must the matchmaker's children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don't know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


They say the cobbler's children go barefoot, but must the matchmaker's children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don't know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.

Rating:NR
Genre:Romance, Family, TV Movie
Directed By:Bradford May
Written By:Anna Sandor
In Theaters:12/26/2008
Box Office:

Runtime:

Studio:

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood