‘Lyle’, Cool Concept, Poor Execution.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.

Rieko Sugita, a young and beautiful hairdresser who happens to visit a bedding shop owned by Yoshitaro (Emoto) and the latter becomes so besotted with her that they begin an affair without his wife's knowledge. On the other hand, Rieko hates her late mother (Fueki Yuko) for sleeping around with other men but is actually following in her footsteps by sleeping with men for money. One day, she reunites with her first love Naoki (Ozawa) who has become an assistant professor and shares a dark secret with her. Soon, the romance between them is rekindled. However, Yoshitaro who has lost his fortune and is about to lose Rieko, becomes consumed by jealousy which brings Rieko, Naoki and him to the point of no return. -- Dorama World
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
The highly anticipated 'Spider-Man: No Way Home' has been released in theaters and now it's time to rank all the previous MCU 'Spider-Man' films from Tobey Maguire to Tom Holland based on their awesomeness.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Andor is an origin story where each side will do whatever it takes.