Love Stories from the African Diaspora
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.

After turning down a long, seemingly abandoned, road in a 1968 Ford Galaxie named Archie, Yuna encounters a philosophical hitchhiker, a girl with (almost) pink hair and an unusual Old Lady who asks her to put all of who she is in a small empty box. Embarking on a journey down this long un-named road, our trio fall into series of mis-adventures in which they discuss the appropriate assemblage of a sandwich, struggle to pee in the woods, build illegal campfires, debate what to put in empty boxes, and contemplate their own existence. This heart-felt quirky drama does not shy away from the truth, whether that be the fragility of dreams, homes and life itself, or the destructive nature of loss and mental disorders. "A Girl, A Boy, A Penny and a Very, Very, Very Long Road" is an indie-film that inspires trust, self-love and bravery.
Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.
Cinderella has been adapted many times over, with the latest adaptation from Amazon sparking controversy over its girlboss agenda. But what of diversity? We rank some of the most popular adaptations for diversity.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7