An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

A film about a popular neighbourhood in Beijing, and what happened there in relation to the 2008 Olympic Games. Qianmen is a popular neighbourhood in the very heart of Beijing, just south of the Tiananmen Square. In the perspective of the 2008 Olympic Games, the city decided that the six hundred years old neighbourhood has to be “rehabilitated”. It is now in the line of fire of the promoters, and the 80000 people living there are facing drastic (and dramatic) changes. The film follows the rapidly changing life in the neighbourhood for more than a year and a half, from one reality to another, completely different one. Little by little, fragment per fragment, the film is drawing a portrait of a neighbourhood, recording memory of a soon disappearing reality. A story of China today.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
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