They say that when the Earth is destroyed beyond habitation, the only survivors will be the cockroaches. Filmmaker Joshua Oppenheimer gives the indomitable insects the floor in this perversely comic commentary on affluence and self-destruction. Leashed with thin ribbons, a small intrusion of cockroaches scramble over magazine spreads of the good life while a schizophrenic pest voice-over mutters like an asylum inmate recalling the good old days, when food was plentiful and the roach traps were the enemy. It is consumption and consumerism as empty activity and madness, played-out as a natural history documentary in the guise of an invasion picture, all set to the theme song from LOVE STORY.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Dwayne Wayne and Whitley's youngest daughter takes us back to Hillman College in this iconic 90s sequel.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
