Freely inspired by the "Fatzer document", "The ruin of the Egoist Johann Fatzer" by B. Brecht, it is a reflection on narcissism and on the value of individual strength when applied in the opposite direction to common sense.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
