The film traces two families, one of which is Jewish, who preserved the images for decades but hadn’t brought them to light. 80 years after their creation, the son of the photographer finds the forgotten negatives and launches an investigation. With a team of researchers, archivists, and animators who use near-forensic precision to reconstruct locations and contexts, they trace the circumstances of those tragic days and the lives captured in each frame.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Four more classic horror films that are entertaining even if occasionally absurd.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
