A young Israeli arrives in New York City but the person with whom he was meant to stay goes AWOL. The Israeli befriends a young, American singer and returns her wallet which she had stolen from her on the subway, they hang out and get to know each other in the course of 24 hours. New York City serves as the setting and backdrop to their flash in the pan romance. This was Aner Preminger’s thesis film shot during his film studies at NYU before graduating.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
