Necati is a 33 year old man who's passionate for cinema. He has lost his mother just after he was born and his father is an odd fisherman nicknamed "Newton". Necati's biggest dream is to complete his film "Gravity Zero" which he endeavors to shoot by using a home camera and show it to an audience on a cinema screen. The film he presented as "an experimental picture that will rock Europe" runs on no script nor does it incorporate any professional actors. Unexpected circumstances come to life when Necati is on the verge of realizing his dream will leave him alone in the midst of a Mafia pay-off and give birth to results that will affect the lives of the people around him.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
