"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

A constable and a subway attendant are working late at night in an underground station when a well-dressed man with a cigar in his teeth enters with his arms around two women dressed in long skirts and jackets, gloves, and fancy hats. The trio laugh and stumble on the platform as if having a hilarious time, getting the attention of the policeman who attempts to stop their bawdy behavior.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.