Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A constable and a subway attendant are working late at night in an underground station when a well-dressed man with a cigar in his teeth enters with his arms around two women dressed in long skirts and jackets, gloves, and fancy hats. The trio laugh and stumble on the platform as if having a hilarious time, getting the attention of the policeman who attempts to stop their bawdy behavior.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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