A lonely film student documents a man who believes that he’s the Grim Reaper, as he leads her on a magical journey to meet herself as a teen, as a young girl, and as an infant, to recover her ability to love – while she still can.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
As a frequent “the book was better” extoller, this movie was well worth the watch.
