“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

In the second year of Yongle, Emperor Zhu Di wanted to open the sea ban and revive the shipping route. Unexpectedly, the first batch of envoys to the South Seas did not return by the due date. When the envoys disappeared, rumors began to spread, so Zhu Di sent Zheng He, an official eunuch, to the West China Sea to find out the truth about the envoys' disappearance, and to build up a good relationship with all the countries along the way to revive the sea trade.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.