A film that foretells three modern-day ghost stories, set in the City of Hong Kong. The first segment deals with a popular singer that mysteriously falls into a deep coma, and the public is unaware that his spirit is detained by the ghost of an obsessed fan of his. His plea for help is only recognized by his nurse. In the second segment, four college girls are assigned an unusual project, and their selected-topic is to "interview" the ghost of the "Braided Woman." When they encounter the streets where the ghost was claimed to roam, they find themselves in a mist of terror. In the third segment, two night-duty police officers stumble upon a mysterious crisis when their speed-tracking camera detects a image of an old woman. After the woman's first sighting, the officers encounter her in every place they go, and their only solution is to find out what she wants.
Wilson Yip
Director
Veronica Yip Yuk-hing
Nurse
Ivy Leung Si-Man
Sin
Anita Yuen Wing-Yee
Fong Siu Yin
Anthony Wong Yiu-Ming
Sunny Wong
Jordan Chan Siu-Chun
Officer #36257
Elvis Tsui Kam-Kong
Officer #663
Farini Cheung Yui-Ling
Student
Jessica Hsuan Huen
Student
Hau Woon-Ling
Granny
Lo Hung
Fortune Teller
Shirley Hung Suet-Ying
Ghost
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.