'The Harder They Fall': This Ain’t Your Grandma’s Spaghetti Western
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.

Kota Mizutani, a 10-year-old boy whose health worsened after he saw a murder, is brought to Akiko's clinic by his mother Mariko. Kota says that two months ago, he witnessed a man in a park strangling a woman with a cord and was chased by the man afterwards. Hamada, who listens to his story along with Akiko, immediately performs an investigation but cannot find any traces of the crime. However, Kota's testimony gains credence when the body of a woman killed two months before is discovered on a construction site in Kawagoe. Acting on a tip from a citizen who says she had been wearing the same clothes as the victim, the police search the house of Kazuko Shimazaki, a photographer who is often absent. But when Kazuko returns from her trip with her assistant Hirano, it becomes clear the victim is a different person.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.