Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Samuel Marshall Raimi (/ˈreɪmi/ RAY-mee; born October 23, 1959) is an American filmmaker. He is best known for writing and directing the Evil Dead trilogy (1981–1992) and directing the Spider-Man trilogy (2002–2007). He also directed Darkman (1990), The Quick and the Dead (1995), A Simple Plan (1998), The Gift (2000), Drag Me to Hell (2009), Oz the Great and Powerful (2013), and Doctor Strange in the Multiverse of Madness (2022). His films are known for their highly dynamic visual style, inspired by comic books and slapstick comedy. He founded the production companies Renaissance Pictures in 1979 and Ghost House Pictures in 2002. Raimi has also produced several successful television series, including Hercules: The Legendary Journeys (1995–1997), its spin-off Xena: Warrior Princess (1995–2001), and Ash vs Evil Dead (2015–2018) starring longtime friend and collaborator Bruce Campbell, reprising his role in the Evil Dead franchise. Description above from the Wikipedia article Sam Raimi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.