“Digger” or, How I Learned to Stop Worrying and Love the Way You Lie
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.

Denis Villeneuve (born October 3, 1967) is a French-Canadian filmmaker. He has received seven Canadian Screen Awards as well as nominations for three Academy Awards, five BAFTA Awards, and two Golden Globe Awards. Villeneuve's films have grossed more than $1.8 billion worldwide. Villeneuve began his career in his home country, directing four French-language dramas: August 32nd on Earth (1998); Maelström (2000); Polytechnique (2009), a dramatization of the 1989 École Polytechnique massacre; and Incendies (2010). The last of these gained him international prominence and earned a nomination for the Academy Award for Best International Feature Film. He expanded to English-language films by directing the thrillers Prisoners (2013), Enemy (2013), and Sicario (2015). Villeneuve gained wider recognition for directing science fiction films. His work on Arrival (2016) earned him a nomination for the Academy Award for Best Director. This was followed by Blade Runner 2049 (2017), which was critically lauded but financially unsuccessful. His next projects were Dune (2021) and Dune: Part Two (2024), a two-part adaptation of Frank Herbert's novel of the same name. Both films were critically and commercially successful, with the former earning him Academy Award nominations for Best Adapted Screenplay and Best Picture.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.