Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.

From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.

Intergenerational friendships and community can be so powerful, and this was a great example.

As a frequent “the book was better” extoller, this movie was well worth the watch. 

It's sexy, regardless of what else is going on.

Happy Gilmore 2 is the perfect comedy to take you back to a simpler time

I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.

Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.