“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

Gabby Beans is an American actress, writer, and producer. She studied acting at Columbia University and the London Academy of Music and Dramatic Art. She has received an Obie Award and a Lucille Lortel Award, as well as a nomination for a Tony Award. She made her Broadway debut acting in a revival of the Thorton Wilder play "The Skin of Our Teeth" (2022) for which she was nominated for the Tony Award for Best Actress in a Play. She returned to Broadway playing the dual role of Mercutio and Friar in a revival of William Shakespeare's romantic tragedy "Romeo + Juliet" (2024). On screen, she made her feature film acting debut in the horror film "The Harbinger" (2022), followed by supporting roles in "Honey Don't!'" (2025) and Steven Spielberg's upcoming 2026 science fiction film.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
It's sexy, regardless of what else is going on.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.