Nobody 2 Review – Hutch on Vacation, Chaos Included
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.

Elísabet Ronaldsdóttir (born 6 July 1965) is an editor. Born in Reykjavík, Iceland, she studied at the London Film School (in Covent Garden), initially concentrating on cinematography, and graduated in 1990. Her career in film editing began by accident. After working briefly at a production company in Iceland, producing commercials and television content, she moved into editing because the schedule was better suited to raising her children. From then on, she built a long and varied career, editing a broad range of works: TV news, documentaries, reality TV, children's programming, short films, television dramas, and full-length features. She has collaborated frequently with directors such as David Leitch — on films including John Wick (2014), Atomic Blonde (2015), Deadpool 2 (2018), and Bullet Train (2022) — and with Baltasar Kormákur — notably on the Icelandic film Reykjavík‑Rotterdam (2008), which helped her transition into international filmmaking. Her editing on Reykjavík‑Rotterdam earned her recognition: the film won the national film award Edda Award for Best Editing ("Klipping ársins") in 2008. In her subsequent career, she has earned further acclaim both in Iceland and internationally. She is a founding member and served as the first chairwoman for two terms of Women in Film & Television Iceland (WIFT Iceland). She has also served on the board of the Icelandic Producers' Guild and, in 2005–2006, chaired the Icelandic Film & TV Academy. Since 2007, she has been on the board of the Reykjavík International Film Festival (RIFF). In her own words, she sees editing not just as technical assembly, but as "an interpretation of the script" and a collaborative craft that respects the contributions of everyone — actors, cinematographers, costume‑makers, stunt crews — to bring a story to life.
Hutch just wanted a family vacation, but chaos follows him everywhere. Nobody 2 is violent, stylish, and over-the-top in the best way possible.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.