With the exception of losing her older sister in a hit-and-run, 17-year-old Tia Scott has had a pretty normal life. That is until she starts exhibiting strange symptoms and realizes she's caught a virus that's slowly turning her into a zombie. Desperate to find a cure, the only person she trusts is a loner at school, Flynn, a self-proclaimed expert in all things paranormal. But Tia's life gets even worse when a friend of her boyfriend, Connor, is murdered. Tia knows that Connor's friend Jason is involved but going to the cops makes her a target and with the clock ticking until Tia's too far gone to recover, she enlists the help of her mother Kate and a reclusive doctor in hopes they'll stop the disease before Jason finds out she's the snitch.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
