Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In Zimmerwald, idyllically situated in the foothills of the Swiss Alps, an ornithological meeting took place in the middle of the First World War. In reality, it was a secret conference against the war that united Lenin and other socialists from all over Europe. One hundred years later, a secondary school class searches for traces of this history.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.