
Three lifelong friends - Irena, who dreams of owning her own home; Marta, a pharmacist yearning to host a radio show; and Alex, who seeks a genuine relationship but becomes entangled with her charismatic, much-older boss - support one another through bold schemes to outwit romantic obstacles.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
‘Babylon’ is an exhilarating journey one has to brace themselves for
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.