
Film adaptation of The Golovlyov Family ("Господа Головлёвы), a classic novel by Mikhail Saltykov-Shchedrin. In the mid-19th century old-fashioned estate based on serfdom laws and traditions, tough and shrewd Arina Petrovna tries her best to make her realm prosper and even expand – despite unwillingness of her husband and three of her four children to lend helping hands... Ten years on, serfdom abolished, and now Porfiry-Yudishka, the epitome of a corrupt, cruel hypocrite, becomes the heir to the estate. Dullness and horrors of life, spent in destroying everybody around him, finally makes him to slowly realize things went somehow wrong. Half-mad, apparently, he goes to the cemetery to "ask for forgiveness" from his mother Arina Petrovna, and dies somewhere along his way, his frozen corpse found the next day.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.