You've Got To Be Smart (1967)

A man found himself stuck inside the passage to the subway exit on the way to work.

The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Intergenerational friendships and community can be so powerful, and this was a great example.

When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.

It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation