Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

Over the objection of his girlfriend, Ben agrees to take a job as the “live in” man servant to a wealthy businesswoman, Amanda, but quickly realizes he has made a deal with the devil, and has put himself and his girlfriend in mortal jeopardy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.