Quarantined with ‘The Platform’ a Horror/Thriller that Somewhat Parallels the Pandemic
It’s dark, uncomfortable, and there are things that don’t make sense.

Nicolás, a photographer, has suffered epilepsy since childhood and he is forced to take care of himself and sacrifice a lot, though he lives a normal life. On the other hand, Isabel is a woman who, apparently, has her whole life figured out although her mother is ill and she has no choice but to try to save her. Isabel and Nicolás fall in love in spite of themselves, their demons, their ghosts, and their weaknesses. Suddenly engaged in a relationship none of them would have even dared to imagine, they experience the love, passion, insecurity, fear, and allergy to commitment typical in people who are drifting away.
It’s dark, uncomfortable, and there are things that don’t make sense.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.