“The Thursday Murder Club” Provides a Cozy Mystery
As a frequent “the book was better” extoller, this movie was well worth the watch.

After 20 years Moni (38) returns home to her sister Silke who has been attacked by a stranger. Moni is willing to do anything possible to find the attacker and to protect her sister. But is that really what Silke (34) wants? And if so, who is actually the one, to be protected? And above all, protect from who? And which role does the offender René (38) play, who doesn't even understand why he did it. A melancholic film that plays with three different perspectives and constantly reinvents itself while searching for answers.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
“There’s always something you can do…to make people feel like they’re welcome”
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.