Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

16-year-old Jonathan Snazowski has a vivid imagination and lives in a dream world filled with adventure, fast cars, beautiful women and easy money. Unfortunately he only has partial control over his fantasies, and is constantly beset by obstacles from the dark and tangled reaches of his mind. A slightly demented psychologist, a rotten kid brother, neighborhood bullies, demons and even laser-toting sex police are conspiring to wreak havoc on his life. But Jonathan has a plan: he is going to defeat his enemies, get his car, win the girl and lose his virginity... even if it kills him!
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
As a frequent “the book was better” extoller, this movie was well worth the watch.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.