They were too old or too young, already had a complete family or weren’t planning to start one: the women in this documentary have a range of reasons for deciding to have an abortion after unintentionally becoming pregnant. In an era when access to safe, professional abortion services did exist in the Netherlands but had not yet been made legal, public opinion on this topic was intensively massaged by political parties. Hillie Molenaar shows what the discussion should be about: she reveals what abortion is, and what safe abortion services mean for the lives of women of varying ages and backgrounds.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
