'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

One day, you receive a present. And then another. And on and on. Till the present isn't a present anymore. It's a nightmare. And all because YOU are not Ivan Gallatin.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
It’s dark, uncomfortable, and there are things that don’t make sense.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.