"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

Maria is one of the many women who were born without knowing their place. She tries to move between the mansion where she lives with her husband and a third-class hotel, her refuge. Things are piling up, trapping her in a certain deadline to take a decision. Leaving or staying?
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.