Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Shinobu, a mature woman with a weakness for men, was traveling in search of her former lover, Jo, while engaging in sex purely for pleasure. She found a job posting at a gas station run by a father and son, Yoshito, a fisherman, and decided to take the job and live there. While initially exasperated by Shinobu's complete lack of domestic skills, the two men were drawn to her charm…
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This Halloween movie is based on the toy line of the same name.