
In feudal Japan, gangsters chase a young girl who might testify against their boss. When the gangsters murder the girl's grandfather on sacred ground, the door is opened for the Yokai Monsters to step in.
Emily and Stephanie are back... just add gin and drama.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.