Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Starring Admasu Kebede as Aimro, and Rekik Teshome as Helina, the title characters in the film, the movie focuses on the young carpenter Aimro who has his heart broken by his long time girlfriend Emmy that left him for another man that promised to take her to America. Aimro decides that there are no women in town that are worth his love and respect. Aimro, heartbroken and sick with envy is bedridden with his overwhelming emotions, when his co-workers, who are also his best friends, decide to form a group called Yewendoch Guday (translated Guy's Affairs) in order to avenge all men that have been done wrong by women.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Sweetheart provides a stark example of self-isolation taken to its extreme.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.