'Not Okay' Review: A Perfect Companion Piece to ‘Nope’
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.

In 2003, the band made their first appearance at the Montreux Festival, despite having a long association with the town itself (they recorded there frequently in the 70s). It was a triumphant night and is regarded by both the band members and fans as probably the finest Yes gig ever to be filmed. The classic line-up includes Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White. Prog-rockers Yes return to the stage in this 2003 performance at the Montreux Festival. Though decades may have passed since the group's heyday in the 1970s, Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire, and Alan White have lost none of their edge. Laying into deep cuts like "Siberian Khatru," "Long Distance Runaround," and "I've Seen All Good People," this group of grizzled legends delivers a smoldering rock performance.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.